Papers by Christophe Hery


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Towards Bidirectional Path Tracing at Pixar

Christophe Hery, Ryusuke Villemin, Florian Hecht
July 2016

On Finding Dory and Piper, we were faced with rendering a lot of water, or creatures and sets seen through water and glass. We worked with production artists to give controls for resolving these difficult light transports. We also learned to cheat these effects where appropriate. In these course notes, ... more


Art and Technology at Pixar, from Toy Story to Today

Ryusuke Villemin, Christophe Hery, Sonoko Konishi, Takahito Tejima, David Yu
November 2015

Technology has always played an important part in Pixar's movie making process, starting with Toy Story over 20 years ago. This course will take you on a journey through that technical evolution, focusing on how story drove our technical designs and how we utilized new technical advancements to tell more appealing stories. Finally ... more

SIGGRAPH Asia 2015 Course Notes.


A Data-Driven Light Scattering Model for Hair

Leonid Pekelis, Christophe Hery, Ryusuke Villemin, Junyi Ling
May 2015

We present an implementation of the [Marschner et al. 2003] model for importance sampling light reflected from hair. The implemen- tation makes use of a version of Adaptive Importance Sampling (AIS), specialized to fit easily sampled distributions to BCSDFs. Our model is novel among importance sampling implementations in that it ... more

Additional materials: [hairlock_eccentricity_100.mov], [hairlock_eccentricity_085.mov]

Available as Pixar Technical Memo #15-02


Geometry into Shading

Christophe Hery, Michael Kass, Junyi Ling
October 2014

Sometimes, when 3D CG objects are viewed from a distance, a great deal of geometry can end up inside a single pixel. When this happens, full-sized facets, or pixels in a displacement map should play the role of traditional micro-facets. Here we describe how to alter traditional shading calculations to ... more

Available as Pixar Technical Memo #14-04


A statistical framework for comparing importance sampling methods, and an application to rectangular lights

Leonid Pekelis, Christophe Hery
February 2014

Importance sampling methods for ray tracing are numerous. One reason is due to the lack of a robust, quantitative method for comparison. This tech memo takes strides to provide a framework for comparing sampling methods on fair ground. We define a simple, mathematical notion of strictly preferring one method to ... more

Available as Pixar Technical Memo #14-01


Physically Based Lighting at Pixar

Christophe Hery, Ryusuke Villemin
July 2013

We recently participated in the Siggraph 2013 Physically Based Shading course, with all notes and documents stored at http://blog.selfshadow.com/publications/s2013-shading-course. We provide here direct access to our own chapter, describing the Physically Based System we designed at Pixar (on top of RenderMan) for the movie Monsters University and the short film ... more


Multiple Importance Sampling for Emissive Effects

Ryusuke Villemin, Christophe Hery
January 2013

We present a method for creating and sampling volumetric light sources directly using the volumetric data, obtaining high quality results with any mirror, glossy or diffuse objects, and integrating with any global illumination framework.

Additional materials: [volumeCornell.mov], [volumeMIS.mov]

Published version available as http://jcgt.org/published/0002/02/10/

Available as Pixar Technical Memo #13-02


Texture mapping for the Better Dipole model

Christophe Hery
December 2012

We derive an exact diffuse integral for Eugene D"Eon"s new Better Dipole model and we provide the code for numerically inverting it, leading to easy texture mapping for translucency effects.

Available as Pixar Technical Memo #12-11


Importance Sampling of Reflections from Hair Fibers

Christophe Hery, Ravi Ramamoorthi
December 2011

Hair and fur are increasingly important visual features in production rendering, and physically-based light scattering models are now commonly used. In this paper, we enable efficient Monte Carlo rendering of reflections from hair fibers by describing a simple and practical importance sampling strategy for the reflection term in the Marschner hair model. Our ... more

Available as Pixar Technical Memo #11-07


RenderMan, Theory and Practice

Dana Batali, Byron Bashforth, Chris Bernardi, Per H. Christensen, David Laur, Christophe Hery, Guido Quaroni, Erin Tomson, Thomas Jordan, Wayne Wooten
July 2003

Siggraph 2003 course notes.